Italian Baroque Era Painter, 1576-1622 Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).  Related Paintings of SPADA, Lionello :. | Portrait of Yevgenia Kirkaldi | La Grande-Rue,Argenteuil | Pine Island, Georgian Bay | Catching Crabs | Sunny Street |
Related Artists:
STROZZI, Bernardo
Italian Baroque Era Painter, 1581-ca.1644
Pieter van Dyke
painted Portrait of Samuel Taylor Coleridge in 1795
Jacques-Francois Ochard
was a French artist, remembered as the first art teacher of Claude Monet at his high school. Ochard had been a student of Jacques-Louis David (1748-1825), and lived in Normandy, to where Monet's family had moved in 1845. Ochard's method of instruction was the traditional one of drawing from plaster casts of the human figure.